Get your writing year off to a flying start with this masterclass packed full of advice and inspiration from the
Get your writing year off to a flying start with this masterclass packed full of advice and inspiration from the
How many words in a novel? Here are the average word counts and page numbers by genre – so that you know what to aim for!
From clearer thinking to the confidence that comes with mastering a skill to processing difficult life events – not to mention the sheer pleasure of creativity – here are some of the ways writing can give your mental health a boost.
You need to market your book. But what if you really, really, don’t like marketing? You became a writer to write, after all – not to sell. Here are some ways to approach marketing if you really don’t like marketing.
If you want to get traditionally published, you need to submit a compelling book proposal to agents or publishers. This masterclass with Scott Pack will maximize your chances of success.
The London Book Fair is back! And so am I. Here are my top takeaways for authors.
Nicola May is a self-publishing sensation, and the author of a dozen romantic comedies. In 2019 she hit the #1 Kindle bestseller spot in the UK with The Corner Shop in Cockleberry Bay. Now she’s signed a three-book deal with Hodder. Jon Reed asked her why.
Kerry Wilkinson is something of an accidental author. His debut, Locked In, was written as a challenge to himself but, after self-publishing, it became a UK number one bestseller within three months of release. Then he signed a six-book deal with Pan Macmillan. Jon Reed asks him how he did it.
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Have you been visited by the Muse lately? If you’re an indie author, you need more than one source of inspiration. Tom Evans looks at the Nine Muses needed for self-publishing success.
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How does a literary agency sell its authors? Bestselling agent Andrew Lownie says there are three elements to selling books to publishers: 1) an agency needs to have saleable books in the first place; 2) the proposals need to be the best they can be; and 3) one needs to know the right editors to approach and not give up too easily.
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Writers with a trade-publishing deal get automatic access to professional editors and proofreaders, but self-publishers have to source their own. Some writers think it’s fine to scrimp on this, but the truth is that every book needs to be edited and proofread, says Lucy Ridout.
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For authors and publishers, content is our bread and butter. But content no longer just mean the products we publish – it also means marketing. So how do we build an effective content strategy? This question was addressed at the 2015 London Book Fair Publishing for Digital Minds Conference.
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From unfriend to selfie, social media is clearly having an impact on language. The words that surround us every day influence the words we use. Since so much of the written language we see is now on screens, language now evolves partly through our interaction with technology.
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If you’re writing romantic fiction, sooner or later you’re going to have to write a sex scene. How can you avoid cliché, embarrassment – and a ‘Bad Sex’ award? Write in your usual style, and stop worrying, says Mitzi Szereto.
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What can you do to maximise your chances of having your submission read and being taken on by a literary agent? We asked bestselling agent Andrew Lownie of the Andrew Lownie Literary Agency to share his top 7 tips.
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An effective book cover can make the difference between obscurity and bestseller. Sarah Juckes shows you how to create your own in five steps.
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There are more choices than ever for self-publishing authors – but that means the burden of getting it right is also greater. Leila Dewji identifies the top 3 mistakes to avoid.
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Choosing the right publisher is vital to the process of getting published, and with such a wide variety of markets and publishing options available, it’s critical that authors research those options. International speaker, author and thought leadership strategist Mindy Gibbins-Klein shares her top tips for making the right choice.
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Social media has been key to Emily Benet’s success as a writer. Her first book, Shop Girl Diaries, started life as a blog; her second, The Temp, as a serialised novel posted online; and her latest, #PleaseRetweet, is a comedy about social media obsession. Social media is a wonderful tool for writers – but it has pitfalls too. The key is to use it, and not let it use you, as she reveals in her top pros and cons of social media for writers.
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